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NEWS July 23, 2011 Sytze’s book “Song and Circumstance” is now also available as e-book: http://ebooks.continuumbooks.com/ March 13, 2011 A fortnight ago, the exhibition catalogue “Niki de Saint Phalle: Outside – In” was published by Museum Schunk in Heerlen, The Netherlands. For this catalogue Sytze translated two texts from French into Dutch, one by Niki de Saint Phalle herself and one text by Camille Morineau, curator at the Centre Pompidou in Paris. He also translated and edited Saint Phalle’s biography. January 26, 2011
The latest issue of the Dutch magazine Museumtijdschrift (Jan/Feb 2011) has an article by Sytze on an exhibition of drawings by American painter Leon Golub (1922-2004) in museum Het Domein in Sittard. The exhibition is titled “Live + Die Like a Lion?” Golub said of the theme of his work: “If I had to give a description of my work I would say it's a definition of how power is demonstrated through the body and in human actions, and in our time, how power and stress and political and industrial powers are shown.” November 25, 2010 For the Faculty of Law of Maastricht University, over the past months Josh has been putting together a number of EndNote output styles. EndNote is database software used by scholars to enter their bibliographical information and to adapt it to the required referencing style. (Think of the footnotes and citations in scientific journals and books.) She made an information analysis of three manuals for legal quoting, to be able to apply standard referencing styles. She the programmed three styles: one based on the guidelines by Kluwer, for the Dutch market; one for the British market, based on OSCOLA; and a style that is based on BlueBook for the American market. Sytze has started to write a blog on the arts and philosophy: http://sytzesteenstra.wordpress.com/. For the time being,the blog is written in Dutch. Rick Poynor, an English design author and design critic, added Song and Circumstance tot he list of ‘Recommended Books’ by Design Observer, an elaborate and influential website about everything that is related (sometimes distantly) to design:
(http://designobserver.com/books_recommended.html) September 14, 2010 Sytze Steenstra during the successful presentation of “Song and Circumstance: The Work of David Byrne from Talking Heads to the Present” in Neale Williams Antiquarian Books in Maastricht. The review of Song and Circumstance by Clive Bell in The Wire has been copied by a website that is dedicated to Brian Eno, “More Dark Than Shark”. The review in its entirety can be found at: http://tinyurl.com/25mf4sq. Filosofie Magazine, a Dutch popular magazine on philosophy, has an interview with Sytze on pages 62-63 of its September issue, titled Philosophy of Talking Heads. Here is a little bit in translation:
A Dutch blogger, Huub Koch, wrote a highly positive and long review of “Song and Circumstance”, titled “A many-faceted sensibility to the many shapes of reality”. The blog contains eight video-interviews with Byrne in English, giving a 45-minute overview of his career. Koch concludes his review:
To see the video inserts, go to http://zichtbarezaken.web-log.nl/zichtbarezaken/2010/09/een-veelzijdige-gevoeligheid-voor-de-veelvormige-werkelijkheid.html August 25, 2010 Book presentation of Song and Circumstance in Maastricht. Everyone welcome! On Thursday, 9 September, at 8 o’clock in the evening, Sytze will present Song and Circumstance in: Neale Williams Antiquarian Books see also: http://www.antiquariaatwilliams.nl/News.htm This month, Sytze’s earlier work is the subject of Neale Williams’ spotlight: August 16, 2010 New reviews of “Song and Circumstance” from the UK and the US: The Wire: “Before assembling Talking Heads in mid-1970s New York, Byrne dropped out of a couple of art schools and became fascinated by the Art & Language movement, a Marxist based critique of the consumption of art and culture. His ambition was to make his life into a work of conceptual art. But how? His first idea was to become an anonymous systems analyst, treating his life as an art project. In fact, Byrne became a far from anonymous rock singer, but Steenstra’s take is that the rest of his ambition remained very much in place, and that Byrne’s sprawling portfolio can best be understood as a high-profile and high-spirited, but essentially serious, romp through a series of conceptual art projects concerning mental dislocation. So, instead of the depressing ‘rock star takes some photos’ syndrome, with the underlying suspicion that no one would look at these artworks if the artist weren’t so goddamn famous, Steenstra highlights Byrne’s interest in, for example, issues of authenticity, and traces his thinking right through from early Talking Heads (critiquing Romantic rock authenticity) to his 2008 Songs of David Byrne and Brian Eno tour… Clear, engaging and readable.” Record Collector: “The author shadows Byrne’s every idiosyncratic step, bringing context and clarity to a body of work that would have overwhelmed lesser writers.” Flagpole: “David Byrne has always had a devoted audience that skews to the intellectual. Sytze Steenstra’s Song and Circumstance: The Work of David Byrne from Talking Heads to Present(Continuum) is a book that will engage even the most informed fans of his work.” July 11, 2010 Book launch in Paradiso, Amsterdam Continuum editor David Barker added two photos of the book launch for Song and Cirucmstance to his blog on Continuum’s 33 1/3 music series: see http://33third.blogspot.com/2010/07/amsterdam-book-launch.html. To see more photos of the successful launch, check the Dutch version of this site. New book review: by Chris Estey on his blog for KEXP, a Seattle-based radio station: “David Byrne and the Dadaist Disco of Song and Circumstance”: “Reading the just-published Song and Circumstance: The Work of David Byrne, From Talking Heads To The Present (Continuum) is a wondrous experience, more a sublime diagram of Bryne’s aesthetics than a rock biography.” Estey ends his review with the conclusion that ‘Song and Circumstance” isn’t just for Talking Heads fans and for those who followed Byrne’s career, but for anyone who is interested in the connection between popular music and philosophy. See http://blog.kexp.org/blog/2010/06/30/scribes-sounding-off-david-byrne-and-the-dadaist-disco-of-song-and-circumstance/ June 11, 2010 A pleasant surprise: we’re on the poster for a photo exhibition in Berlin. Josh Moll and Sytze Steenstra “in 3-D”, or better: in a fairground 3-D cinema, some twenty years ago.
May 17, 2010 More early reactions to “Song and Circumstance”, now from the UK as well as from the US: “Steenstra argues that Romanticism first begat avant garde, and more recently post modernism, and places Byrne as being directly influenced by these movements. Steenstra may not specifically articulate it, but one gets the sense in reading his books that Byrne is actually trailblazing a "post post modernist", "post avant garde", and post Romanticist genre with his own art. […] Great book if you're interested in learning more about what makes this endlessly multi faceted and fascinating artist really tick.”
“It’s as much an education, as it is assimilation through the rites of Byrne’s intellectual initiation, as it is a translucent and absolutist study of a unique artist. […] Like David Byrne, this is a very varied and colourful book. It covers all of the artist’s relative terrain, in such a way that’s as equally as enthusiastic and passionate as he himself. From the exceptionally incomparable Talking Heads right through to the present — via Byrne’s many collaborations —“Song and Circumstance” is both a terrific and constant read.”
A book review in four twitters:
May 11, 2010 Some of the first responses to “Song and Circumstance”, found in the blogosphere: "Song and Circumstance is one of the biggest accomplishments I've come across in the field of media theory. Steenstra writes with alarming clarity, and supports each statement made with thorough research and thought provoking reasoning.”
“A wide-ranging overview of David Byrne’s wide-ranging work. […] An impressive book covering the art (mostly music, but by no means exclusively) of David Byrne. The book follows a roughly chronological path, but connects each section/part/era to conceptual themes.[…] There are strong connections made throughout the book.”
“Great read!”
April 8, 2010 Launched in the U.S.A., within two months in the Netherlands.
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